Dehumanization_Art_History.pdf
Andre Breton’s FIGURE
Aaron H. Douglas cover for Opportunity
Burliuk’s ADVENT OF THE MECHANICAL MAN
Giorgio de Chirico’s THE GREAT MACHINE
Léger’s ELÉMENT MÉCANIQUE
Minya Diéz-Dührkoop’s PHOTOS OF THE MASK DANCERS
Depero’s 1924 NEW FUTURIST POSTER
Kawabe Masahisa’s MECHANISM
Depero’s stage set and costume design for ENHICAM OF 3000
Belling’s SCULPTURE 23
Léger’s TWO FIGURES (NUDES ON A RED BACKGROUND)
Lothar Schreyer’s DER MANNLICHE INTELLEKT
Hannah Höch’s STUDY FOR MAN AND MACHINE
Rodchenko’s CONSTRUCTION ON WHITE (ROBOT)
Grosz’s “THE CONVICT” MONTEUR JOHN HEARTFIELD AFTER FRANZ JUNG’S ATTEMPT TO GET HIM UP ON HIS FEET
Ernst’s AMBIGUOUS FIGURES (1 COPPER PLATE, 1 ZINC PLATE, 1 RUBBER CLOTH…)
Depero’s AUTOMATON WITH A PIPE
Grosz’s DAUM MARRIES HER PEDANTIC AUTOMATON GEORGE IN MAY 1920, JOHN HEARTFIELD IS VERY GLAD OF IT
Raoul Hausmann’s BELLY OF A COACH OR DUPONT-DURAND WRITES POEMS
Grosz’s DIABOLO PLAYER
George Grosz and John Heartfiel’s THE MIDDLE-CLASS PHILISTINE HEARTFIELD GONE WILD
George Grosz’s REPUBLICAN AUTOMATONS
Ernst’s THE HAT MAKES THE MAN
Hannah Höch’s THE BEAUTIFUL GIRL
Otto Dix’s THE SKAT PLAYERS
Ernst’s FAREWELL MY BEAUTIFUL LAND OF MARIE LAURENCIN
Georges Ribemont-Dessaignes’ G.R.D. DADA
Picabia’s THE CHILD CARBURETOR
Max Ernst’s THE GREAT ORTHOCHROMATIC WHEEL THAT MAKES LOVE TO MEASURE