De Chirico’s THE PREDICTOR
Picabia’s PROSTITUTION UNIVERSELLE
Morton Schamberg’s UNTITLED (MECHANICAL ABSTRACTION)
Léger’s SOLDIERS PLAYING CARDS
Depero’s RED AND BLACK SAVAGES
Depero’s MY PLASTIC DANCES
Max Ernst’s THE GREAT ORTHOCHROMATIC WHEEL THAT MAKES LOVE TO MEASURE
Picabia’s THE CHILD CARBURETOR
Georges Ribemont-Dessaignes’ G.R.D. DADA
Ernst’s FAREWELL MY BEAUTIFUL LAND OF MARIE LAURENCIN
Otto Dix’s THE SKAT PLAYERS
Hannah Höch’s THE BEAUTIFUL GIRL
Ernst’s THE HAT MAKES THE MAN
George Grosz’s REPUBLICAN AUTOMATONS
George Grosz and John Heartfiel’s THE MIDDLE-CLASS PHILISTINE HEARTFIELD GONE WILD
Grosz’s DIABOLO PLAYER
Raoul Hausmann’s BELLY OF A COACH OR DUPONT-DURAND WRITES POEMS
Grosz’s DAUM MARRIES HER PEDANTIC AUTOMATON GEORGE IN MAY 1920, JOHN HEARTFIELD IS VERY GLAD OF IT
Depero’s AUTOMATON WITH A PIPE
Ernst’s AMBIGUOUS FIGURES (1 COPPER PLATE, 1 ZINC PLATE, 1 RUBBER CLOTH…)
Grosz’s “THE CONVICT” MONTEUR JOHN HEARTFIELD AFTER FRANZ JUNG’S ATTEMPT TO GET HIM UP ON HIS FEET
Rodchenko’s CONSTRUCTION ON WHITE (ROBOT)
Hannah Höch’s STUDY FOR MAN AND MACHINE
Lothar Schreyer’s DER MANNLICHE INTELLEKT
Léger’s TWO FIGURES (NUDES ON A RED BACKGROUND)
Belling’s SCULPTURE 23
Depero’s stage set and costume design for ENHICAM OF 3000
Kawabe Masahisa’s MECHANISM
Depero’s 1924 NEW FUTURIST POSTER
Minya Diéz-Dührkoop’s PHOTOS OF THE MASK DANCERS