Ernst’s AMBIGUOUS FIGURES (1 COPPER PLATE, 1 ZINC PLATE, 1 RUBBER CLOTH…)
Depero’s AUTOMATON WITH A PIPE
Grosz’s DAUM MARRIES HER PEDANTIC AUTOMATON GEORGE IN MAY 1920, JOHN HEARTFIELD IS VERY GLAD OF IT
Raoul Hausmann’s BELLY OF A COACH OR DUPONT-DURAND WRITES POEMS
Grosz’s DIABOLO PLAYER
George Grosz and John Heartfiel’s THE MIDDLE-CLASS PHILISTINE HEARTFIELD GONE WILD
George Grosz’s REPUBLICAN AUTOMATONS
Ernst’s THE HAT MAKES THE MAN
Hannah Höch’s THE BEAUTIFUL GIRL
Otto Dix’s THE SKAT PLAYERS
Ernst’s FAREWELL MY BEAUTIFUL LAND OF MARIE LAURENCIN
Georges Ribemont-Dessaignes’ G.R.D. DADA
Picabia’s THE CHILD CARBURETOR
Max Ernst’s THE GREAT ORTHOCHROMATIC WHEEL THAT MAKES LOVE TO MEASURE
Depero’s MY PLASTIC DANCES
Depero’s RED AND BLACK SAVAGES
Léger’s SOLDIERS PLAYING CARDS
Morton Schamberg’s UNTITLED (MECHANICAL ABSTRACTION)
Picabia’s PROSTITUTION UNIVERSELLE
De Chirico’s THE PREDICTOR
Jean Crotti’s LES FORCES MÉCANIQUES DE L’AMOUR EN MOUVEMENT
Léger’s SOLDIER WITH A PIPE
Suzanne Duchamp’s UN ET UNE MENACÉS
Albin Egger-Lienz’s “1915”
Wyndham Lewis’ THE CROWD
Léger’s LE FUMEUR
Fernand Léger’s EXIT THE BALLETS RUSSES
Picabia’s MECHANICAL EXPRESSION SEEN THROUGH OUR OWN MECHANICAL EXPRESSION
Vladimir Baranoff-Rossiné’s SYMPHONY NUMBER 1
Duchamp’s THE PASSAGE FROM VIRGIN TO BRIDE